“I feel that I have a deep attraction for some objects that originates from the beginning, I think that everything starts from there and then mutates. It has to do with a very intuitive composition, trials and errors, a very specific selection of objects and the search for ways to tell short stories through them. I have fetish elements, which I can’t overcome and which are always in the compositions I make. Elements that fascinate me and I can’t help but be moved when I use them. In general, these are what I call iconic objects, the most generic, standard and pure representation of an element, even those found or abandoned, the mixture of living and dead, the natural and the artificial.”

I think there is something very rich that happens when you “decompose” an object, leave aside its functionality and analyze it from a formal perspective. To work punctually with the bohemian lamp was to focus on its size, shape, materiality and colour. Think of it as a giant bright red circle and propose ways of relating it to other abstract objects and materials that are not a direct part of the logical universe of the lamp as a product. There is a strong idea of duality in this project, opposing materialities, soft and rigid, hard and organic forms, also in the scale of objects. I believe that all these variants are what generate rhythm and tension in the photos, a system of abstract objects that function in a dialogue.